Events / Talks
Current and Upcoming
After Growth: A Symposium on Post-Capitalist Imaginaries, March 19 - 20 2022, Nottingham Contemporary
The Infrastructures of Prediction and Visual Culture, podcast Interview for the ‘The Art and Artifice of Prediction’, May 2022
Engineering the Future: On Climate Modification and the Macroscopic View, EASST: Politics of Technoscientific Futures, July 6 - 9 2022, Madrid
All Events
Publications
Info
Theo Reeves-Evison is a Leverhulme Early Career Fellow at Birmingham School of Art, where his research focuses on the critical imbrications of art, ecology and speculation. He is the editor, together with Jon K. Shaw, of Fiction as Method (Sternberg, 2017), and has published in magazines and journals such as Frieze, Parallax and New Formations. In 2018 he edited a special issue of the journal Third Text on the theme of ‘ethico-aesthetic repairs’ with Mark Rainey, and his monograph Ethics of Contemporary Art: In The Shadow of Transgression was published in 2020 by Bloomsbury Academic Press. He has made invited presentations and chaired discussions at institutions such as the Southbank Centre, MACBA, and the Gerrit Rietveld Academie’s Studium Generale.
Prior to taking up a Leverhulme fellowship he worked as a Senior Lecturer in Theoretical and Contextual Studies. He holds a Ph.D. in Philosophy from Goldsmiths College and an MA in Critical Theory from the University of Nottingham. Current PhD supervision covers a diverse range of topics in contemporary art, cultural theory, and the environmental humanities.
If you’d like to get in touch, please e-mail evisonreeves[at]gmail.com, or follow the instagram link for sporadic visual updates.
Theo Reeves-Evison is a Leverhulme Early Career Fellow at Birmingham School of Art, where his research focuses on the critical imbrications of art, ecology and speculation. He is the editor, together with Jon K. Shaw, of Fiction as Method (Sternberg, 2017), and has published in magazines and journals such as Frieze, Parallax and New Formations. In 2018 he edited a special issue of the journal Third Text on the theme of ‘ethico-aesthetic repairs’ with Mark Rainey, and his monograph Ethics of Contemporary Art: In The Shadow of Transgression was published in 2020 by Bloomsbury Academic Press. He has made invited presentations and chaired discussions at institutions such as the Southbank Centre, MACBA, and the Gerrit Rietveld Academie’s Studium Generale.
Prior to taking up a Leverhulme fellowship he worked as a Senior Lecturer in Theoretical and Contextual Studies. He holds a Ph.D. in Philosophy from Goldsmiths College and an MA in Critical Theory from the University of Nottingham. Current PhD supervision covers a diverse range of topics in contemporary art, cultural theory, and the environmental humanities.
If you’d like to get in touch, please e-mail evisonreeves[at]gmail.com, or follow the instagram link for sporadic visual updates.